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A publication that indicates the best way to make a variety of origami (folded paper) issues.

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Their work not only needs to be of the highest quality, but they need to develop a good working relationship with the galleries that promote and sell their work. They need to be very careful of the quality of their work, not take too many orders before they can handle them, and pay close attention to delivery times. ” C r a ft A d m i n i s t r at o r s 33 Marilyn Stevens Former Editor of the Crafts Report, Wilmington, Delaware “The biggest change I see in the field is less of a distinction between craft and gift markets.

Color slides taken by a professional photographer, black-and-white photographs, B. Color slides of some of my work and a few photographs. C. I don’t have a portfolio. a publicity photograph of me working in my studio, and a shot of my booth. 6. The following sentence describes my craftwork: A. A line of several different pieces created in multiples with a distinctive style as well as a series of one-of-a-kind pieces. B. Some pieces made in multiples and some one-of-a-kind pieces. C. Many different styles—I like to experiment and never make the same thing twice.

A. program and studied with Fred for a couple years. He was the first teacher to tell me to put my own imagery in my pieces. ” During graduate school, Marcia had the opportunity to teach a twodimensional design course for undergraduate students. “A design background 21 Ken Woisard P r o f i l e s o f C r a ft s p e o p l e is so important because it gives craftspeople a vocabulary,” says Marcia. A. degree, Marcia went to the Oregon College of Art & Craft in Portland to work for a year as the metals resident.

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